Ed Morris says:
I find that I am not painting as much every day as I used to. Even though I go out to my studio every day, some days I can only paint for an hour or so. Hopefully this will improve as things improve. In the meantime, I thought I might post some tips you might be able to use in your studio. I think this will be good therapy for me and some good stuff for you!
What’s on Your Easel?
Winter for me is working on some still life paintings. I have an adjustable shelf that I attached to the wall and a science project tri-fold foam core board I use as a backdrop in my studio. I got the idea from a how to video on still life painting and saw this in the background of the video a couple of years ago. I have three great ideas in various stages of development.
My son-in-law bought a little bottle of tequila while they were here for Christmas. When I saw it I knew I had to paint it, so I created the set up after they went home. I’m about halfway through this one and will post it when I complete it At this point I am mostly down to quarter inch and smaller in my brushes. At least the brush cleanup is easy.
I am a morning person. I’ve been retired for 11 years and started getting up later and then goofing around the house most of the morning before figuring out the day. I usually painted in the afternoon. I decided on this paining to get up early and have a quick breakfast and get out to the studio. My concentration is better and I think I am more productive and creative. Looking forward to a new routine this year!
Painting Set Up
Family Affair 15 x 12 inches Oil on Canvas Panel
My Aunt painted flowers on porcelain china. The pieces we have are exquisite pieces of art in their own right. This is one of her pieces, Barbara supplied the flowers and I chipped in a little paint.
Ushering in Summer. 16×24” oil on canvas panel
I created a lot of color strings in the studio to help me with the color recession of the yellow flowers as they moved back in a painting. The values in this painting are tight and subtle.
I wanted to show the limited palette I used to repaint my study I mentioned in an earlier post. Limited palette of yellow ocher, burnt sienna, cobalt blue, chromium oxide green, and ivory black. I created a little color map on my palette to give me an idea how these would mix together before I started.
Seeing Color in shades of Gray
In my little flower painting….After my initial block in, I fell into the trap of trying to add more contrast by lightening the reds with white creating some pasty colors. When things go wrong in a painting, it is usually values. The vertical up right values of the flower petals in the light should be a step lighter than a middle value. It is hard to see the values of intense colors such as the reds I was using. So I sometimes resort to photographing the mixtures on my palette and then rendering them black-and-white to get rid of the color to see the actual values.
This is also a common mistake in landscape painting where the warm colors in the foreground are depicted lighter than they actually are.
When mixing your colors, think in terms of color family first, then value, and finally adjusting the chroma or saturation of the color.
Tips concerning art material containers
Today’s tip. Anytime you buy a new bottle or jar of something for your studio, carefully remove the lid while everything is clean and put a piece of saran wrap over the opening and then screw your lid back on. You will need to replace the Saran wrap each time but you will find that you do not have to worry about having your lids getting dried up gunk in them and sticking shut. Especially on those items that you don’t use that often.
We all use the rule of thirds in our compositions. Sometimes you may want to change it up a little. On my studio work….Once I have a fairly good idea of what I want to paint….I get out my trusty Golden Ratio Calipers or Fibonacci Gauge to help me decide how to divide my space/areas of interest and placement…..As you probably know the ratio is 1 to .618. You can divide then subdivide the space which I did on the first one to lay in the road in the front.
Outside, I divide my canvas in half, then in half for quarters..then in half for eighths. I will use 5/8 as starting point. This just gives me a general idea of where I might place objects in the painting. Or just use the rule of thirds…Or sometimes you just eyeball it as long as it looks “right”. No rules, just guidelines..
Intersections of the lines for thirds or golden ratios gives you a general idea of your sweet spots on your canvas.
You can get the calipers on Etsy from ilexopaca. I don’t know how to do a link on here.|
PS..I am back to painting again!
Brush Cleaning and Care
Here are the things I use to try and keep my brushes in good shape. I typically clean most of the oil paint off of the brush in Gamsol. I then rinse the brush in a second container of Gamsol to get out the rest. This helps keep my brush less contaminated with other colors while I paint.
At the end of the painting session. I go through the Gamsol process first. Then I clean my brushes in my art sink with Dawn soap under running water. Massaging out any residue from the ferrule and heel, up through the belly to the toe of the brush. I do this several times rinsing the brush as I go. I then shape the brush and let it dry.
Every week or so…after cleaning my brushes, I will dip in Trekell Brush Restorer, massaging in the liquid, shaping the brush and letting it dry.
Do you have brushes with dried out paint in them? Then Brush Flush is for you. It can clean about any brush you have no matter the condition of the brush. I find it harsh, so I only use it if I have let paint accidentally dry on my brush and not for any daily use.